Tallulah Holly-Massey

Help Tallulah attend La Pocha Nostra workshop

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I have been accepted to participate in a 7-day workshop intensive with La Pocha Nostra in Tucson Arizona this August.

La Pocha Nostra are a San Francisco based "trans-disciplinary arts organization" and I will be collaborating and performing alongside experimental performance artists, theorists, activists and students from all over the world!.

I am seeking some help with workshop and accommodation costs while I am there. This is an amazing opportunity to challenge my art making process and learn from some renowned performance artists.



La Pocha is devoted to erasing the borders between art and politics, art practice and theory, artist and spectator. La Pocha Nostra has intensely focused on the notion of collaboration across national borders, race, gender and generations as an act of radical citizen diplomacy and as a means to create temporary communities of rebel artists.

Every year, La Pocha conducts a summer and a winter performance art school in which Pocha's radical pedagogy (a performance methodology that has been developed during the last 10 years) is shared with an international group of rebel artists.

La Pocha Nostra has presented work across the US, Canada, Mexico, Latin America, Europe, Russia, Australia and South Africa. In recent years, the troupe has presented work at Tate Modern (London), and the Guggenheim Museum (New York).


Tallulah graduated from Unitec in 2003 with a degree in contemporary dance. Since then she has worked with New Zealand choreographers including Ann Dewey, Alexa Wilson, Kelly Nash, Claire O Neil, Zahra Killeen-Chance and Joshua Rutter.

As a choreographer she has created seven works including 'What's Wrong With The Light' with Kate Bartlett, 'It's a soft suggestion' and 'Stray' awarded most innovative choreography Short and Sweet 2015. She has worked since 2002 with Vivid performance group in NZ, Japan, England, Spain, Algeria and Greece.

'It's a soft suggestion' Basement Theatre 2016

Other Projects by Tallulah Holly-Massey