katrina thomson

Katrina Thomson Fresh Winds Biennale Iceland

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I've been invited as the first New Zealander to participate in the Fresh Winds International Art Biennale 2015.

50 artists from approximately 20 nationalities and from all disciplines of art will congregate to stay and work in Gardur. This extraordinary opportunity is a gift of five weeks for me to focus on making a new artwork in one of my most wanted places to visit. I will be sculpting in the midst of the dramatically dark and inspiring Icelandic winter, sharing the experience with artists from all around the world.

I have to get there, put in some hard work,  and make the most of it! Fresh Winds will house me - giving me the space to draw on the experience and the environment while I work towards an exhibition at the end of the residency. I say that 5 weeks is a gift because it will be rare time away from employment and all the other everyday stuff of life. It is a chance to be fully immersed in my art practice, and with that comes confidence and trust in the art making process.

This door was opened for me when I had the chance to present my portfolio to Mireya Samper, the curator of Fresh Winds, while I was on my first international residency last year (in Japan). The possibility of more doors being opened from this experience means the world to my art practice. I see this as an opportunity not only for myself to gain exposure and to up-skill; but also for other New Zealand artists and my contemporaries - through the connections, networks, and hopefully future opportunities I will create over the five-week stay. I look forward to sharing this experience back at home and to showing new work that is influenced by Iceland in New Zealand.

I am asking for support to realise this invaluable international opportunity. The funds raised from this campaign will go towards art materials and transport. Your donation and sharing of the campaign will be significant, and I'd be profoundly grateful for your help.

T H A N K Y O U

UPDATES

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  • lucky image by Philippe de Potestad

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    lucky image by Philippe de Potestad
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  • Halló from Iceland!

    20 MONTHS AGO

    Hello lovely people, I wanted to give you an update on the art project I have been doing here in Iceland, and to send you all many thanks for sending me here.. It has actually been one of the best experiences of my life. I have all the ingredients that make me very happy – making art, walking a lot, living and breathing nature, and having some great connections with likeminded, inspiring and interesting people, plus the love and support of my friends and family. Iceland is absolutely stunning! It has been incredibly windy and harsh at times, and then the most glistening white peaceful place with sunshine.

    My project had a bit of a late start – I was incredibly jetlagged! And it was quite a thing to get used to the darkness here. The weather is extreme, and I was hunting for my installation site in some major storms! Navigating my way to the hardware store 12KMs away took some time too – but now the people that work there almost know me by name! The Christmas and new years holidays slowed things down a little too, but the upside was much dancing and delicious meals!

    I built a bridge; I wanted it to be a beautiful bridge. The people here in Gardur all warned me against putting it in the sea as I was proposing, for they told me how strong the tides and storms are here and that it wouldn't last one tide. But my mind was set on the symbol of a bridge in the ocean and so I built it, trying my best to make it as strong as I could, and trying to focus on both robustness as well as aesthetics.

    To me it symbolises relationship – the bridging between different things, like us and the ocean, or the ocean and the atmosphere. I did some reading and watching of lectures on ocean science – especially relating to the equilibrium of the ocean, its biodiversity and ecosystems, and the links the ocean has to stabilising the atmosphere and climate. All the big marine species are needed to control the medium species that eat the small species that eat the tiny species – or something along those lines. When this is disrupted, trophic cascades occur, and all the jobs of all the species aren't being done properly, and havoc within ecological systems is wreaked. For example, water stratification is happening from climate change as well as trophic cascades. I think I read that the ocean only churns or mixes fully through once every 1000 years, and with all the systems being damaged, the control of the ocean temperature and equilibrium is not happening. The ocean and the atmosphere are ecosystem engineers, working together intrinsically. If the ocean is unhealthy, it changes the climate – and if the climate changes, it changes the ocean reflexively.

    Our relationship to the ocean is changing the nature of it - not only through climate change, but also directly through overfishing. The ocean and its cycles are robust age-old systems. But our relationship to it is a take-take one which is destabilising the other relationships I have mentioned – that of species, and that of the ocean and climate and of course, that of human survival. I mean, we are in serious need of keeping the ocean and its systems intact. In our times we have fished nearly all of the big fish. We have the availability of bigger and better technology to hunt down the remaining but elusive big fish, and we use it – going to ridiculously far reaching depths to catch them. We are deep sea trawling – an action basically like bulldozing the ocean floor and killing off everything there, ruining symbiosis, like ploughing down a rainforest and all its species. It will take years and years to begin to repair itself, but if species are ecologically extinct, repair may not be possible, and in the mean time, the systems of atmospheric engineering are disturbed. The water becomes acidic, stratified and dysfunctional with ‘dead-zones’. In the ocean, there is an invisibility of the loss beneath the surface.

    So, this bridge that I built – I considered burning it. Because once you burn your bridges, you can't go back, and that’s how I see what is happening with climate change and our effect on the ocean. But I was uneasy about the notion of burning my built bridge in the ocean, because although the image would be impactful, the notion is perhaps cliché and more importantly, the act seems to be a metaphor for nihilism. I considered beginning to burn it and then dousing it with seawater but I was undecided about that concept.

    The Freshwinds Exhibition runs for one week with an opening weekend and a closing weekend on either side. My bridge was standing after five nights in the sea, which is 10 high tides. A big storm was forecast, and in the morning I went to see the bridge but found that the ocean had taken it. Completely taken; no broken bits remained, just the two wooden footprints where I had bolted it to the rocks. The sight of the bridge not being there gave me a strange feeling of something being misplaced – then I felt a deep sense of loss for the bridge, and the familiarity that I had formed with it through the complete vision of it; from the concept, to the very hard work of building it in a relatively short timeframe, to the faith I had to have in its realisation against all the people saying that it wouldn't work, and to the ecstasy of seeing it still there, beautiful in its place in the ocean after night one.

    I'm glad that the ocean has taken it though, because I don’t have to burn it or remove it. The symbolism or mythology of the ocean taking it feels important, though I do not know what to put into words to describe it at present. The bridge has just completely disappeared, and the loss I felt was akin to a loss I feel for what we have lost of the many species. The regrets that I had for not bolting the bridge better, or engineering it better, even though I had been advised to do so, seems like the complacency I think we have for the ocean health that scientists are advising us needs to be addressed with more urgency.

    I wanted to create a beautiful bridge that the tide would rise and fall around. But the symbiosis of species, ocean, earth and sky is the most beautiful bridge.

    The ocean here in Gardur is omnipresent. It is and has always been the livelihood of this area and the Icelandic government has good policies for fisheries quotas. As well as having sustainability awareness, Iceland has a deep sea trawling company. I find this, and the worldwide fishery dilemma paradoxical – people need to eat, and fishing is a tradition that many people worldwide rely upon, both economically and also for simple non-economic survival. But we need to not extract wildlife from the ocean wantonly as if it were a supermarket. We need to not trawl the ocean. We need to not overfish, and not eat it unless we need it – and we need to work out ways to do intelligent ecosystem restoration. A Bridge can symbolise connection, stability, and transition. A bridge is a way to overcome something difficult.

    I've spent some time searching the shores for the bridge I built, but it is much harder to find something you’ve lost than it was to lose it.

    I will upload some pictures here too. If you would like to talk more about Iceland, or the Freshwinds experience, or the work I made, please email me at Thomson.katrina@gmail.com. I’d love to hear from you. And Thank you.. For so much

    Katrina

    Halló from Iceland!
  • Many many thanks to you

    22 MONTHS AGO

    To my dear donors, 

    You have all given me so much and I am so very grateful.

    This boosted campaign ended last night, and it came to 296% of my target!!!!!!!

    You have literally covered the cost of my flights from Dunedin - Reykjavik return. Incredible!

    This means that I don't need to borrow money as I had originally planned, and I can use the money I have saved for art and installation materials.   Going into this project with a robust materials budget makes me feel confident and ambitious about what I want to make. And returning home with no debt from this project is a huge relief.  I don't think I can say thank you enough. 

    I'm counting down the days before I leave for Gardur, feeling very excited and positive about artmaking!

    I will post some images and updates of my project through this boosted page. I hope all you New Zealanders have a wonderful summer :) 

    Many many thanks and best regards

    Katrina

  • You are all amazing!!!!!

    23 MONTHS AGO

    I'm so inspired by you all. 

    This is a testament to my incredible family, friends and community, and also to the generosity of strangers, and the power of coming together to achieve our ambitions!

    I am so grateful -- for the practical help towards realising my project, and for the buoyancy I feel from being so artistically supported. It has given me new-found courage and drive, and for that, I can't thank you enough. 

    I based my funding target on what I thought my network could handle - but wow you have blown me away!

    If any one would still like to donate, all funds raised will go towards flights and then specifically towards art materials. 

    I won't get the chance to thank in person those who supported my project anonymously -  so I'm sending huge thanks here. 

    You are all amazing!!